Emma May chronicles a little bit of what goes into putting on the show at the Vancouver Sun:
An intricately designed remote camera hung just overhead of the octagon and slid along 18 vertical and horizontal cords turning its long lens on the fighters to capture the overhead angles, while four hand-held camera men stood on tall stools at four corners of the octagon. Crane-mounted cameras filmed the fighter’s walk-ins and still more digital cameras filmed back stage goings on and scenes from the crowd.
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